I’ve recently read two older Wagner books that lend insight not only into their subject topics, but into the times in which they were written. These are Wagner’s Parsifal, by Maurice Kufferath (Henry Holt 1904), and The Racial Thinking of Richard Wagner, by Leon Stein (Philosophical Library 1950). Maurice Kufferath was a Belgian music critic and later director of Théâtre de la Monnaie. In his...
As a boundless admirer of Wagner’s art and of much of his artistic thought, I vacillate between horror and laughter when I encounter fragments of his writing on social and philosophical matters. A recent reading of Leon Stein’s The Racial Thinking of Richard Wagner (1950) prompted the latter response. Outside of the world of music […]
Richard Wagner was an artist and a revolutionary nationalist. A fundamental rationale for his work was its function as a mythic summons to the volk – the German people – to remember their common and distinct heritage. He saw the Ring, in particular, as the great story of the roots of the German people, resonating […]
In his recent book, Sorcerer of Bayreuth, Wagner expert Barry Millington comes down hard on Wagner the anti-Semite. He rejects the “misapprehension that Wagner’s anti-Semitism is like a superfluous integument that can be peeled away from his oeuvre without leaving a trace, when in fact it is so intrinsic to his aesthetic that it is no […]
The Wagner Blog is a forum for discussion of contemporary themes arising from the works of Richard Wagner. Discussions relating to Wagner’s musical, literary, theatrical, philosophical, political and theoretic work are all appropriate for this forum.
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