T The role of Siegfried is difficult for modern audiences to accept. It’s hard to admire this lout, this bully, this self-centered brute. A recent teen video restores the character of Siegfried to what one must conclude was Wagner’s original intent – as an exciting charismatic hero of durable cultural meaning – an icon. “Siegfried […]
What It’s Like to Play Wagner
A few years ago I was walking back to the parking lot after attending a riveting performance of Siegfried at the Met, and joined a young man waiting for the pedestrian signal to change, carrying a trumpet case and wearing formal dress. “Great show,” I said. “Yeah,” he responded. “It’s an amazing score, isn’t it?” […]
The Ring in Hartford, Connecticut
We have received a press release from the Hartford [CT] Wagner Festival, announcing a new production of Das Rheingold in August 2014 at the Roberts Theater of the Kingswood Oxford School in West Hartford, CT. The plan is to mount one drama each summer and to present two complete Ring Cycles each year beginning in […]
Wotan’s Eye: Was it Right, and What is Left?
The current issue of the invaluable Wagner Journal includes an article by Michael Trimble, Dale C. Hesdorffer and Robert Letellier on “The Mystery of Wotan’s Missing Eye.” It reports on a study of production photographs concluding that, though the author never provided for instructions, nearly all actors playing Wotan portrayed a damaged left eye rather […]
Siegfried Wagner: “A Formless Creature”
From the Diaries of Count Harry Kessler (Laird M. Easton, ed., Knopf 2011), pp. 504-05: Berlin, February 7, 1911. Tuesday. Lunch at Frau von Rath’s with Siegfried Wagner, the Hills (the American ambassador and his wife), the painter Zorn, and Fraülein von Olfers. Siegfried brought up The Rosenkavalier, the poverty of its thematic inventiveness. He […]
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