Alex Alice has written and illustrated a hardcover comic titled “Siegfried,” recently released in an English language version While the story notes in certain ways the incidents and characters of Wagner’s drama, “the preferred universe is clearly Northern European, Iceland, etc.” (p. 115) The first half of the book is a sequential telling of the story […]
Robert Bailey
We note the death of Robert Bailey, scholar, teacher, lecturer and mentor to many. His studies of Tristan sketches and his critical score of the Prelude and Liebestod are definitive, and his impact on his students enormous. His teaching positions included Princeton, Yale, Eastman, NYU, Tulane, Berkeley and Juilliard. His lecture a few years ago at the Wagner […]
The Wagner Complex
Tom Artin, of Sparkill, NY, has been kind enough to send me a copy of his book The Wagner Complex: Genesis and Meaning of The Ring (Free Scholar Press 2012). It is an interpretation of the characters and action of the Ring through a Freudian lens, and it has been an interesting though challenging read. I became prejudiced and close-minded […]
Management is to Censorship as Competence is to Nonsense
Two recent and independent events – Peter Gelb’s misguided and short-lived effort to muzzle bad reviews in the house organ Opera News and the cancellation of an announced concert of Wagner’s music at Tel Aviv – have raised principles that ought to be separate, but are too often conflated. Let’s distinguish “managing an international arts organization” […]
The Met Ring and Critical Incompetence
Unlike others, I have waited to form my overall assessment of the new Ring Cycle at the Metropolitan Opera until I actually saw it. The Cycle is an entirely different experience from each separate installment (remember Wagner furiously refusing to cooperate with Ludwig’s premieres of Rheingold and Walküre in Munich?), though that didn’t stop Alex Ross and others from condemning...
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